My work aspires to critically investigate the conceptual potential of the ceramic object , exhibiting my belief that ceramic multiples and ceramic installation art can demonstrate a clear attachment to the material clay as well as a strong connection with the history and tradition of the medium while transcending its association with Craft – enabling thereof the ceramic artist to express content and conceptual ideas that can interject with various audiences, convey substantive content and generate conversations about political and social issues.  

Deeply interested in the question on how artists can address social issues in contemporary art practice as advocates and influence public opinion through their practice, a substantial part of my work derives directly from my previous professional experience as a documentary photographer during which I have documented extensively various social issues and the subject of maternal health in particular. 

As a ceramic artist and craftswoman I am particularly interested in exploring the ways through which the ceramic object driven by a conceptual framework can become a tool for the dissemination of knowledge while displaying a strong association with the tradition of craft between which i have come to see no conflict but rather a set of opportunities in which ceramic artists can experiment.